okay readerfriends, please to recommend me your top three books by POC in any of my genres. I just saw someone’s FB favorite authors with portraits and they were all old white men and I cringed.

my genres are:

  • humorous and/or epic scifi – examples, The Icarus Hunt, Hyperion, The Android’s Dream, The Alien Chronicles
  • urban fantasy, but very specifically: Daughter of Smoke and Bone (and sequels), or Good Omens
  • YA fantasy, but pretty specifically: Graceling series
  • science and technology non-fiction
  • erotica – literary, lgbt-friendly, preferring hopeful endings to “everything goes to shit”
  • myths, folktales, and fairy tales
  • alternative/magical history, a la Jonathan Strange and Mr Norrell

that would be very appreciated – I’m attempting to broaden my library of perspectives! thanks!!

I read 30 books this year! that’s not counting the…um let’s see. three? I think it was three. three books by friends, two of which aren’t quite finished.

so here are my notable books of 2013:

  • The Meeting Tree, Annabee
  • AU Panfandom Romance or Something, Kat
  • The River, Annabee
  • The Stand, Stephen King
  • Ready Player One, Ernest Cline
  • Killer Instinct, Jane Hamsher
  • A Game of Thrones, George R.R. Martin
  • The Ocean at the End of the Lane, Neil Gaiman
  • The Club Dumas, Arturo Peréz-Reverte
  • The Handmaid’s Tale, Margaret Atwood
  • Daughter of Smoke and Bone, Laini Taylor
  • Hyperion, Dan Simmons
  • Jonathan Strange and Mr Norrell, Susanna Clarke

oh hey, artist friends: recommend me some books for drawing! Jake is interested in physical books for physical drawing (that can be applied to digital drawing) and I have no idea where to start.

I’m conducting a poll of is sorts to research genre tropes and styles, so please! give me your favorite book from each of the below categories (I’m looking for your personal favorite, whatever resonated with you the most as being decidedly THAT genre, the one that punched you in the gut and you can’t shake; it really doesn’t need to make you “sound smart”)

  • court intrigue
  • thriller
  • western
  • erotica
  • mystery
  • sea adventure
  • pulp fiction
  • hard science fiction
  • lesbian romance

(I don’t mean “lesbian romance” as in “lesbian literature” but as in “romance that happens to take place between two women” so that can be in any genre, I just want to find out what about it made your heart whole/break)

this is how I’ve decided to do some of my research, since I want each G&K book to be sci-fi PLUS elements of another distinct genre, one apiece. knowing what resonated with people will I do believe give me a good sense of what aspects of a genre are important to include if I wish to convey it

I have a real issue with anyone trying to protect children from their own imaginations. If we cannot acknowledge that a lot of us have a bit of darkness within ourselves, some more than others perhaps, and bring it into the light and examine it and talk about this part of the human condition, then I think we will be living in quite a dangerous climate. I think that’s much more damaging for children.

J.K. Rowling on parents that forbid their children from reading Harry Potter (or any fantasy novel that they vaguely disagree with)

Writers Must Read!

mls-classics:

rollembones:

Here’s my answer to the #20. Something that grinds gears and may be an unpopular opinion.

If you do not read, you will never be a writer.

Let me clarify.

The written word is an ages old craft. There is literally thousands of documents showing this craft. Utilize them. Go to a bookstore, now. Buy some books. No money? Library. No library? Download it. If you’re reading this, you’re on the internet so you have some means of acquiring books.

And read from a breadth of sources. You may want to write Westerns but you need more than Louis L’amour and Bret Harte. Read Huxley and King and Steinbeck. Learn from these other themes and genres. Find what works, what makes them tick, what breathes life into them and makes you fall in love with their worlds and characters and themes. Use them in your works, hammer them and play with them and see what you can make of the paragraph and the pacing and cadence of word choice.

Don’t. For the fuckmothering love of little baby monkeys, DO NOT simply go to tvtropes and wile away an afternoon. Doing that only gives you the barest, vaguest idea of what you’re dealing with. Theory without practice in the worst sense of the concept.

If you’re part of a writer’s circle or any group, show some love for your group. Read their work and have them read yours. Discuss the work. Discuss what you liked and what you didn’t like. Don’t just look for common proofreading errors. Get a feel for the piece. Know the piece. Think of ways that you would present the information they presented, for better or worse, and make note of that for when you are writing. This is what forwards you and your craft.

Everyone wants comments and love and adoration. Pay it forward. Like the above, if you want it, you start giving it just as much. Read and re-read the things you like to know why you liked it, to know why you didn’t like it.

But never, never ignore the other half of your so called artistic calling. Writing and reading, reading and writing are talents one in the same. Anyone who says otherwise knows nothing of either.

Can reply/addend as the question-asker?

Read from lots of different perspectives, not just genres. Huxley, King, Steinbeck, L’amour, Harte = all white dudes from the West, all pretty well-off. I’m not specifically picking on your choices, Rollem — I’m sure you read plenty of not white, straight, rich dudes — but the point stands that those are what came to mind first. They often do, when you mention “classics”.

So… yeah. Read lots of different things by different types of people, writers!

I didn’t really notice it until this year, but with every thing I read – and especially if it’s outside of my normal haunts (sci-fi and speculative fiction) – I can FEEL myself improving. for example, I’m currently reading Kat’s pseudo-Victorian romance novel and some perspectives and ways of using language from that leaked into my latest short story (about a man’s bitterness over an answered prayer). nothing to do with Victorian England, but improved upon by the simple act of reading.