Category Archives: Writing about writing

Publishing

Why Daugment is free for libraries

Thanks to Smashwords’ super cool distribution plans to Axis360, OverDrive, and now bibliotecha (as well as their Library Direct program), my novel Daugment is available for free to libraries. I could charge for it, but…first of all, that seems horribly mean, and second of all, I have three good reasons for making it free.

The altruistic reason: Libraries and librarians are awesome.

Several of my good friends are librarians, and of course, avid readers themselves. They help people every day find information on how to improve their lives and their knowledge bases. Pretty dang cool. Plus, I spent I can’t tell you how many hours in libraries as a kid, gleaning information on forbidden topics from books I didn’t dare take home. I feel like I’m paying it forward.

The sneaky reason: I commission weird covers. People will take chances on weird books…when they’re free.

Almost every bizarre book I’ve ended up adoring, I read first from the library. Once I was old enough to earn a little money from babysitting, I began to invest in my own book collection and I’ve never stopped – but I rarely buy something I don’t already know I love.

People make snap judgments about covers all the time. Here’s a question anyone in a bookstore or browsing an online catalog will ask themselves: “Is this cover worth $5? $2? $0.99?” Usually, the answer is an easy, “No.” But if the question is instead, “Is this cover worth 10 minutes of my idle curiosity?” the answer is more often, “Why the heck not!”

If my book’s at a library, it’s already free for the customer. Making it free for the libraries gets it into a lot more libraries.

The marketing reason: To find my future readers.

Every single piece of advice on ebook marketing I’ve read advises giving away a book, or a story at the very least, to get readers’ email addresses and attention. While I plan to run promotions as well, Making Daugment free for libraries allows me to give away books passively and reach readers I would never have otherwise found.

Even if I run really savvy social media campaigns, I can’t easily target niche readers. These are people whose tastes might not usually overlap with the keywords I use to promote my book, but who visit small-town libraries. Smaller libraries may have more modest budgets, meaning the librarians may turn to the free section of the ebook catalog in order to give their patrons more for the money they have.

If you’re a librarian, and can’t seem to find Daugment through the ebook channels you use, please contact me so I can get you as many copies as you’d like!

Writing about writing, Writing process

The Scribblers’ Club

As part of my creative philosophy, I try to participate every year in at least one big generative project, at the end of which I have something to shop around or develop. (I’m also a masochistic writer.) A lot of years, that project is NaNoWriMo. In 2012 and 2013, my good friend Jill Corddry and I teamed up to crank out short stories on a regular basis (almost weekly, in 2012, and monthly in 2013).

We took a couple of years off – she had twins and I got a heck of a job (same thing, right?!) – but our hiatus is over, and this year, we lassoed two of our other friends and dragged them with us. We call the project The Scribblers’ Club, and we’ve each promised to write one short story per month for the next twelve months, with a few appearances scattered throughout by guest writers. We’ve already done it at least once each, which is miraculous in and of itself. Eleven more stories to go (for me). No big deal. (If you like sad paranormal stories, my first one is called “Wanting”.)

The Scribblers exist because of our motto: “Trick thyself into creativity.” We made deadlines that feel a little bit like those school assignments we used to have. We found people to send us clever notes and evil writer quotes. We found that those same people hold us to our promises through guilt and sickly-sweet encouragement. We force ourselves into artificial boxes to see how our creativity shoves its way out of them. Most of all, we keep in mind that quantity produces quality.

More than any other tactic, this cooperative-but-not-collaborative approach to writing groups has really worked for me. I do love actually collaborating on writing, but even in a hyper-connected age, it can be hard when writers with very different ways of writing books try to write a book together. Having others set standards of success in the same little arena we’ve drawn out together is encouraging, inspiring, and makes me feel bad if I don’t turn in my story on time.

So. Back to tricking myself I go!